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Leonard Nimoy – Rest in Peace

Leonard Nimoy – Rest in Peace

spock

I grew up watching repeats of the original Star Trek series, at the time I thought it was a modern day children’s show rather than repeats of an older show for families. My favourite character was Mr. Spock, as played by the recently departed Leonard Nimoy.

Spock is half human and half vulcan – an alien race that prides itself on logic and control of their emotions. Through out the shows and movies, he struggled to come to terms with his human side and human nature, but he learns. From 1966 to 2009, the character of Spock evolved and by the end he has embraced his human side.

With my dark hair and pointed eyebrows I looked a lot like Spock, and was regularly called Spock by people at school. Like Spock, I also felt out of touch with my emotions and the people around me.

spock 2
Me in 1994

 

Although I didn’t realise it at the time, watching Spock on Star Trek really helped me. It was a safe place to explore human interactions, emotions, and friendships, I learnt a lot by watching this man learn about, and embrace, his humanity.

This side of Star Trek was embodied by Nimoy’s portrayal of Spock but Star Trek continued this exploration of being human through spin off characters like Data – an android trying to be human, Odo – a shapeshifting alien forced to live in a human form, and Seven Of Nine – a human who was raised by a cyborg race that repressed individuality. They all continued the journey Spock started, and as an awkward teenager I appreciated them all.

Leonard Nimoy’s impact on Star Trek goes beyond Spock. Behind the scenes he worked on several of the movies as a writer, director, and producer.

In Star Trek IV: The Voyage Home, an alien-being wreaks havoc on Earth’s atmosphere in search of the extinct humpback whales it once communicated with. The Enterprise crew go back in time to 1986 to find two humpback whales they can bring to their time to stop the aliens destroying Earth. Leonard Nimoy co-wrote the story and directed the film, creating a humourous story with an environmental message that helped raised awareness of an endangered species.

https://www.youtube.com/watch?v=CPztpGBrfD8

Nimoy worked as Executive Producer on Star Trek VI: The Undiscovered Country, and is credited with coming up with the idea for the movie. At the time of production, 1991, the cold war was over and the US was coming to terms with calling the Russian’s friends instead of enemies. In Star Trek the Klingon empire, an alien race of warriors, were stand ins for Russia so Nimoy suggested a movie that explored the “wall falling” in the Star Trek universe. The film examined prejudice by portraying the beloved main characters as bigots that feared the Klingons and come around to a new way of thinking. It was a bold move and I regard Star Trek: VI as the best movie because it has so much to say about race and fear of change.

In the film, Kirk and McCoy – Spock’s best friends – have been framed for the assassination of a Klingon chancellor and Spock must prove their innocence. To solve the murder mystery Spock uses his vulcan logic to search for clues but also his human capacity to break the rules for his friend’s sake.

As a boy growing up I thought related to this alien character, but as Englishman living in the United States, I relate now more than ever. I’ve got immigration documents that refer to me an “alien”, and any stiff upper lipped Brit is going to look like a Vulcan compared to the expressive Americans. At 32 years old I still find relief re-watching the old shows and movies that Nimoy shaped.

He has a lasting legacy and because of that, even in death, he will continue to live long and prosper.

NaNoWriMo – the results

NaNoWriMo – the results

This November I took part in NaNoWriMo, or National November Writing Month. The goal was to write 50,000 words in a month, which works out at 1667 words a day for 30 days. I’ve never written that consistently before. In fact I’ve collected data from the last six months and even thought I’d set the goal to write 1000 words a day on average I’d write 15 days a month and no more than five days in a row.

This month I did 50,000 in 25 days, 25 days in a row. Every day out of the last 25 I’ve written between 1000 and 5000 a day, and average of 2000 a day. You may have noticed I’ve said every day a lot. This is exciting to me.

In fact, daily writing has become such a habit I get antsy if I haven’t done my 1000 words yet. My original plan for NaNoWriMo was to get the writing out of the way so I could take the Thankgiving weekend off, but now I feel the need to keep this daily 1000 words going. I’ve completed Rex & Eddie 2’s first draft now so I guess tomorrow I’ll write Rex & Eddie 3. I’m gonna keep it slow and not do too much more than 1000 words a day as I don’t want to run out of steam.

Here’s my states from the NaNoWritMo site:

NaNoWriMo - my stats

 

Things I learnt:

1) I can build healthy habits.

2) By getting ahead on the good days I can give myself some leeway later on.

3) Going to events with other writers on the same quest really empowered me. There was something about the energy of 30 people in a room tapping away that fed me. Support is important.

NaNoWriMo 2014

NaNoWriMo 2014

nanowrimo

 

This month I will be taking part in National Novel Writing Month or #NaNoWriMo. I’m gonna write the first draft of the sequel to Catchee Monkey: A Rex & Eddie Mystery, and it will be 50,000 words (gulp). Below is the contract I signed with myself to keep myself accountable, which came from the book No Plot No Problem by Chris Baty. I’m all ready to go having spent the last two weeks working on the outline, and re-designing my office into a creative space I actually want to be in.

See you in December!

THE MONTH-LONG NOVELIST AGREEMENT AND STATEMENT OF UNDERSTANDING

I hereby pledge my intent to write a 50,000-word novel in one month’s time. By invoking an absurd, month-long deadline on such an enormous undertaking, I understand that notions of “craft”, “brilliance”, and “competency” are to be chucked right out the window, where they will remain, ignored, until they are retrieved for the editing process. I understand that I am a talented person, capable of heroic acts of creativity, and I will give myself enough time over the course of the next month to allow my innate gifts to come to the surface, unmolested by self-doubt, self-criticism, and other acts of self-bullying.

During the month ahead, I realize I will produce clunky dialogue, clichéd characters, and deeply flawed plots. I agree that all of these things will be left in my rough draft, to be corrected and/or excised at a later point. I understand my right to withhold my manuscript from all readers until I deem it completed. I also acknowledge my right as author to substantially inflate both the quality of the rough draft and the rigors of the writing process should such inflation prove useful in garnering me respect and attention, or freedom from participation in onerous household chores.

I acknowledge that the month-long, 50,000-word deadline I set for myself is absolute and unchangeable, and that any failure to meet the deadline, or any effort on my part to move the deadline once the adventure has begun, will invite well-deserved mockery from friends and family. I also acknowledge that, upon successful completion of the stated noveling objective, I am entitled to a period of gleeful celebration and revelry, the duration and intensity of which may preclude me from participating fully in workplace activities for days, if not weeks, afterward.

*****

A signed copy of this contract is on my wall right next my computer.